The so-called “black-and-white photography” is a misleading term. Most black-and-white photographs are not literally just black and white. And in most cases, “pure” black and white photographs could look dull or may be just too strong in terms of contrast for our appreciation – unless it is intentionally and creatively done.
Some people may use the term for colourless photographs. But it is even more problematic: Are black and white not colour? In most cases, the beauty of black and white photographs needs the presence of grey, or photographers call it: shadow. Grey or shadow is the key transitional ingredient to hold black and white elements in a photo. Shadow is the transition from darkness to light, or the gradual deterioration of the presence of light. While darkness and light are two essential components in creating black and white photographs, artists in this trade understand the importance of shadow; and therefore, constantly looking for it in shooting.
Like most situations in life, being attentive to the grey areas make life interesting. The two opposite ends are too obvious and clear cut to most viewers; but attending to elements that are not that clear or are not obvious makes life adventurous. Darkness and light catches our attention right away, but paying attention to the transient aspect of life may allow us to be thankful and hopeful. Whether it is seen as light being drawn to darkness or the gradual fading of light, it is always the transition, the journey, the movement, or whatever term one uses that makes a photograph aesthetically pleasing. Black and white photographs are not colourless but function due to the presence of shadow. Without shadow, there would be no black and white photography. Without grey areas, life would be dull and boring.
The crux of any issue is seldom just black and white but grey.
Good stuff Alan.I like the "picture language" in which you speak (write).
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